Monday, April 4, 2011

Have You Noticed?

Recently I have been drawn to Psalm 65 which begins with "To You, stillness, praise, in Zion, O Elohim; And to You a vow is paid.  To You who hears all prayer, all flesh comes."  I kept thinking of this Scripture during the time I spent at Lake Bonny park on Sunday (I stayed there for at least 45 mintes), and during my reading of Mary Oliver's poems.  I loved the lines from Messenger,

"...Let me keep my mind on what matters,
which is my work
which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture."

Something about reading this passage outside in the grass was moving.  I thought about how God describes Himself as a shepherd, and we His sheep -- and creation, I suppose, is His pasture.  I like the concept of "learning to be astonished".  As Professor Corrigan said in class, it seems as though we're taught not to be astonished.  It's uncool in our culture to be impressed, and it's also a sign of vulnerability.  The act of conciously trying to be awed seems strange and awkward at first I suppose, but I feel it is very beneficial.    
  I had trouble with the lines,

"...a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever."

I didn't quite understand it, but it makes me think of Psalm 65 again.  "To You who hears all prayer, all flesh comes."  I've been thinking a lot about animal suffering lately, although I'm not sure why.  We read in the Bible that God knows and cares when sparrows fall, and He provides for the "young lion".  I also loved reading the section in Musical Notation about Oliver's dog deliberately watching the sunset, and coming home afterwards.  It made me laugh, but also made me think. Are animals aware of God's presence?  I've read theology books that completely dismiss this idea, but I don't know if we should do that so easily and flippantly.

"Are my boots old?  Is my coat torn?
...let me keep my mind on what matters..."

These words were very powerful to me.  This happens to me, too, sometimes.  A gradual transformation from shallow, earthly thoughts to much deeper ones.  I don't think it's necessarily that one is simply distracted from their imperfections because they are out in nature (although that could be part of it), rather I think that being close to creation brings us out of our day-to-day, detailed, harried schedules and reminds us of the world that is to come. 

I enjoyed reading the poem entitled Praying.  It reminded me of the essence of good literature, and helped me not to be so nervous about writing poetry myself. 

The Uses of Sorrow was also quite interesting.  I find it fascinating that Oliver dreamed this poem!  I thought of it today on my way home from school, and it made me think of the concept of hope and suffering that we studied in class. 

In the Six Recognitions of the Lord, many portions of the text stood out to me, but perhaps one of the most astounding one was this:

"...but in summer there is
everywhere the luminous sprawl of gifts,
the hospitality of my Lord and my
inadequate answers as I row my beautiful, temporary body
through this water-lily world."

Beautiful, temporary body.  This author sees herself -- not only in spirit -- but in flesh, as a part of God's beautiful creation.  That lifted my spirits a little, and I think it's a mindset we should have.  I also liked the idea of the hospitality of God, and our inadequate answers.  The thought stands beautifully alone. 
 
I look foward to learning Professor Corrigan's full meaning of the tension of loving both God and the Earth.  Does he mean nature?  Or does he mean all of our temporary experiences here?  I agree that there is a constant tension between appreciating our life here, and wanting to be with God forever.  Perhaps this is what he refers to, and I didn't understand. 

I visited Lake Bonny Park again today with my friend, who showed me a trail and a dock that I somehow missed on Sunday.  We encountered two large birds, one that we identified at Circle B, and another that was beautiful, but I don't know what it was.  We decided to go there on a more regular basis and bring homework.  I'm glad we've engaged with literature and nature in this way in class, and I think it's opened my eyes a little bit more. 


Here is nature poem I wrote on Sunday:

 
                                                                  E          E       P        P
                                                              E         E              P            A
  R        R                         A          L
  T        T                                L       M
      T                  I                      M
Had
To
Write
A
Nature poem
Today
With
Twenty
Lines
So
Here
Are
The
Words
I
Came
Up
With:
I like trees.


(I'm totally kidding.)



To You, Stillness, Praise
I thought it would be hard
To be still this afternoon.
I had just drank a latte,
And I was convinced
That the theobromine
Would keep me jittery
And anxious.
I lay down, and looked
Into the sky.
I saw a group of five or more birds
Flying south-east.
My heart filled with the painful, joyful longing
That I so often experience
At times when I don’t expect to. 
I was still.
I wasn’t still.
I found it a little bit easier
To pay attention
To the sound of the wind
And the birds
And the children playing
And to the ants
Crawling on my laptop. 
I noticed tiny hairs on
The edge of each blade of grass.
I wanted to touch it.
No.  I have to be still.
I lay with my eyes open,
Not worrying about tomorrow
Which I usually do today.
I lay next to the angel’s feet.
Or maybe they were sitting.
I sat up, and looked at my almost-empty
Plastic cup.
I stroked the grass like I had wanted to,
Even though I wasn’t being still.
I looked up, and saw a huge bird
Calling to another one,
And when I heard the distant answer,
It affected me. 
The bird turned to preen its feathers
And looked in my direction.
I felt uncomfortable
As I often do
When animals look me
Straight in the eye.
I saw my own shadow
Cast in the grass:
My straightened hair blowing
In the breeze.
My hair really isn’t straight at all,
But I wanted
To look trendy and cool this afternoon.
Now, I don’t really care all that much.


Pianists are supposed to pride themselves
On their ability to notice
And express subtle nuances. 
Beethoven liked trees better than people, so he said.
And while I can’t say the same,
I really do like them.
Haydn was inspired by nature
To write the only lyrics from an oratorio
That have ever made me cry.
“In leafy arches twine the shady groves,
O’er lofty hills
Majestic forests wave,
Majestic
Forests
Wave.” 
I thought I was strange and ungrateful
To feel bored and locked-up
In a sound-proof room
With strange carpet
And a shiny baby grand.
But then I saw others
Open the blinds,
Stare out of the window,
At the trees and flowers,
And sit there not practicing
For quite a while.
Pay attention
To the wind,
And the quivering grass
And the notes
And the furry little dog.


I thought it would be hard
To stay still this afternoon,
But the theobromine
Has not had the affect
I was afraid of.
I’m content to sit here
With this shriveled yellow flower,
And even with the ants
Who haven’t bothered me
Much.
I’m content not to worry about what to say
Or how much time I’ve spent.
Content with the sparkling trees behind me
And my un-cool chipping nail polish.
I’m happy
Just to be
Right here.

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